Filey’s Windmill
Recreating an iconic building
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The Story Behind the Picture
When
the
tower
rebuild
was
finally
completed
we
knew
the
next
task
was
to
find
and
fit
a
curb.
This
was
a
job
only
a
professional
millwright
could
undertake
and
it
was
frustrating
that
despite
asking
our
contacts
for
several
months
about
the
chances
of
getting
hold
of
a
second-hand
one
or
failing
that
what
the
price
for a new one would be we could never get a definite answer.
Then,
finally,
a
breakthrough
occurred
and
the
situation
changed
dramatically
for
the
better.
We
were
driving
past
Mount
Pleasant
Mill
in
Kirton
Lindsey
and
we
noticed
it's
cap
had
been
removed
and
was
sitting
on
blocks
in
the
car
park.
On
enquiry
the
owner
told
us
that
following
'back
winding'
the
iron
cross
had
snapped
causing
serious
damage
and
that
the
repairs
were
being
carried
out
by
Adam
Marriott
from
Teme
Valley
Heritage
Engineers.
Wasting
no
time
we
contacted
Adam
and
he
promised
to
come
over
and
see
our
project
as
soon
as
he
had
some
free
time.
A
site
visit
eventually
followed.
After
climbing
the
tower
he
commented
favourably
on
the
dimensional
accuracy
of
the
new
brickwork
we
had
commissioned,
declared
the
job
feasible
and
promised
to
quote
us
for
making
and
fitting
a
brand
new
tailor-
made
curb.
To
cut
a
long
story
short
we
accepted
his
quote
and
work
started
on
the
tower.
First
we
removed
the
waterproof
cover
which
allowed
him
access
so
he
could
take
a
pattern
in
plywood
of
the
top
the
brickwork,
marking
the
exact
position
of
the
built-in
holes
for
the
holding
down
bolts.
Taking
this
back
to
his
workshop
he
recreated
the
total
circumference
of
the
tower
and
divided
it
into
eight
identical
segments
thereby
establishing
their
dimensions
in
plan
view.
After
considering
several
options
he
chose
the
mechanical
design
he
thought
most
suitable
for
the
completed
curb.
This
was
passed
to
a
patternmaker
whose
finished
work
can
be
seen
in
fig.1
painted
red
together
with
a
nine
toothed
pinion
in
yellow
to
gear
down
the
fan
speed
and
provide
sufficient
power
to
drive
the
cap
round.
Adam’s
extensive
knowledge
of
metallurgy
was
employed
in
selecting
a
grade
of
cast iron which
is far stronger than the original.
Artist’s Impression of the Mill after Restoration
Fig.1
Fig.2
Fig.3
Fig.4
This
can
be
seen
in
fig.2
being
poured
into
the
mould
at
the
foundry, Purbright & Co Providence Works, Willenhall.
There
were
a
few
problems
with
the
pours
but
eventually
we
had
a
full
set
of
curb
sections
(fig.3)
ready
for
fettling
and
transporting back to his works at Teme Valley.
While
casting
was
in
progress
Adam
contacted
his
timber
suppliers
and
made
a
selection
of
restoration
grade
oak.
This
was
cut
into
a
set
of
eight
curved
segments
complete
with
mortise
and
tenon
joints
in
each
of
their
ends
so
they
could
be
assembled
into
a
complete
circle
to
fit
the
brickwork
top
(fig.4).
Lying
on
them
is
a
section
of
the
plywood
pattern
Adam
had
taken
at
the
mill.
Now,
with
all
the
parts
to
hand,
he
made
a
trial
fitting
in
his
yard
where
he
checked
the
relevant
fits
and
when
satisfied
all
was
good
drove
to
the
site
in Filey
and
assembled
the
complete
curb
unit.
First
the
oak
frames
had
to
be
joined
using
a
rubber
mallet
to
‘persuade’
the
mortise
joints
to
align
(fig.5).
When
satisfied
the
circle
was
true
the
joints
were
pegged
with
trenails
(fig.6)
and
their
excess
length
was
trimmed
off
with
a
saw.
The
cast
iron
curb
sections
were
then
man-handled
onto
the
frame,
slid
into
position,
and
fastened
down
securely
(figs.7
&
8).
We
now
had
a
fully
operational
curb
sitting
on
straw
bales
waiting
to
be
craned
up
the
tower
and
bolted
into
position.
We
couldn’t
thank
Adam
enough after our earlier frustrating experiences.
By
now
it
was
the
end
of
October
and
our
problem
then
was
when
to
book
the
hire
of
the
crane?
The
weather
parameters
were
a
dry
day
with
a
wind
speed
of
less
than
10mph.
We
studied
the
medium-term
forecast,
found
a
date
with
what
should
be
acceptable
weather
and
that
suited
all
the
parties
involved crossing our fingers it would turn out as forecast.
The
day
arrived
and
conditions
could
hardly
have
been
any
better.
First
a
working
party
set
to
work
removing
the
heavy
plastic
waterproof
cover
from
the
tower
using
a
cherry-picker.
By
the
time
they
had
finished
the
heavy
crane
had
arrived
on
site.
Adam
liaising
with
the
banksman
and
crane
driver
soon
had
the
curb
assembly
lifted
off
the
bales
and
raised
above
the
mill
(fig.9).
Because
of
its
weight
the
positioning
had
to
be
precise
in
order
for
the
holding-down
bolts
to
align
with
the
tubes
built
into
the
brickwork
leading
down
to
the
oak
pads.
Adam
had
marked
on
the
timber
frame
guides
to
ensure
things
all
matched
up
as
he
stood
aloft
and
steered
the
curb
in
its
descent into position (fig.10).
Fig.5
Fig.6
Fig.7
Fig.8
Fig.9
Fig.10
The
cargo
straps
used
to
lift
the
curb
can
be
seen
in
fig.9
and
to
prevent
them
being
trapped
underneath
the
frame
when
it
was
lowered
wooden
spacers
were
placed
on
the
bricks.
They
were
then
pulled
out
by
levering
the
curb
up
to
free
them.
Adam
drove
the
4’
long
bolts
down
through
the
brickwork
and
tightened
the
nuts
against
the
oak
pads
set
in
the
top
floor
wall
(fig.11)
pulling
it
firmly
down
onto
the
tower
top.
The
heavy
duty
waterproof
cover
we’d
designed
and
had
made
from
‘curtain-sider’
material
was
fitted
over
the
curb
and
frame
and
tied
down
securely
to
the
tower
ring
bolts
in
the
fast
fading
light.
It
was
very
satisfying
for
us
to
have
finally
made
a
start
on
replacing
the
mechanism
of
the
mill
and
for
that
we
have
to
thank Adam for his invaluable diligence and expertise.
Fig.11
With
the
curb
installed
our
collective
attention
now
turned
to
the
next
major
requirement
for
completing
the
project
-
the
two
largest
individual
castings:
the
windshaft
and
the
iron
cross.
We
emphasized
from
the
start
our
plan
was
to
restore
the
mill
to
its
true
original
appearance.
To
make
this
possible
Adam
had
been
searching
the
windmill
community
trying
to
locate
a
second-hand
Lincolnshire
type
windshaft
rather
than
the
pole-end
type
used
elsewhere
but
was
finally
forced
to
admit
defeat.
This
meant
a
new
one
had
to
be
cast
and
therefore
a
pattern
would
have
to
be
produced
for
the
foundry.
The
method
adopted
was
to
create
a
half-pattern
as
shown
in
fig.12
mounted
on
a
back
board;
this
would
be
used
twice
to
produce
two
half-moulds
which,
when
fastened
together,
would
provide a full mould for the molten metal see fig.13.
readying
both
units
for
collection.
The
pictures
hardly
do
justice
to
the
size
and
weight
of
these
two
vital
components;
quality
engineering
produced
in
Yorkshire
by
H
Downs
&
Son,
Peacock
Works, Huddersfield.
Fig.12
Fig.13
Fig.14
Fig.15
Fig.16
Fig.17
We
now
had
brand
new
metal
castings
(figs.16&17)
specially
designed
and
made
to
fit
into
the
new
cap
which
Adam
was
constructing
for
the
mill
instead
of
making
do
with
second-hand
items.
Needless
to
say
there
had
been
delays
and
hold-ups
along
the
way,
due
in
part
to
the
lock-downs
imposed
because
of
Corona
Virus,
but
Adam
kept
pushing
the
job
along
to
the
best
of
his
considerable
abilities.
His
next
task
was
to
arrange
machining
which
was
going
to
present
problems.
Workpieces
of
this
size
and
weight
take
some
maneuvering
and
need
a
very
special
lathe
(fig.18)
to
accommodate
them.
The
accuracy
of
the
bearing
surfaces
is
particularly
important
in
the
case
of
the
windshaft
to
ensure
the
smooth
running
of
the
sails.
Adam
entrusted
the
work
to
HMS
Engineering
Ltd.,
Hereford
who
were
also
involved
in
devising
the
optimum method for keying the shaft to the cross.
While
all
this
was
taking
place
the
bronze
head
and
tail
bearings
(figs.19&20)
which
will
carry
the
weight
of
the
windshaft
and
cross
were being cast by a specialist foundry AJD Foundries Ltd., Dudley.
Fig.18
Fig.19
Fig.20
Now,
with
the
castings
well
on
the
way
to
completion,
we
can
catch
up
on
the
major
woodworking
taking
place
at
Adam’s
yard.
He
had
been
busy
locating
suitable
pieces
of
oak
(fig.21)
to
fashion
into
the
weather
beam,
sheers
and
other
components
of
the
cap
frame.
With
these
items
in
stock
large
scale
carpentry
and
joinery
skills
were
employed
to
joint
and
assemble
the
main
framework
of
the
cap
base.
Slowly
the
outlines
became
clear
and
the
(fig.24)
shows
the
cap frame and the gallows for the fantail all in position.
Fig.23
Fig.21
Fig.22
Fig.25
Fig.26
Fig.24
When
we
began
our
project
to
rebuild
Muston
windmill
we
had
no
illusions
about
the
size
and
complexity
of
the
task
we
were
undertaking.
The
story
of
our
struggle
to
first
obtain
planning
permission
and
then
organise
the
rebuilding
of
the
tower
is
told
in
the
preceding
pages
of
this
website;
however
we
felt
that
those
readers
with
a
more
specialised
interest
in
windmills
would
find
additional
detail
regarding
various
engineering
aspects
of
the
work
valuable.
In
an
effort
to
cater
to
their
needs
we
have
added
a
Technical Blog page to the site.
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Fig.27
Fig.28
In
photograph
fig.27
we
can
see
two
of
the
last
large
timbers
being
worked
on.
They
are
the
spars
or
technically
speaking
the
‘spears’
that
are
mounted
on
the
gallows
and
support
the
fan.
Fig.28
shows
the
four
castings
known
as
‘pigs’
on
which
the
cap
frame
is
mounted;
they
support
the
weight
of
the
whole
cap,
sails
and
fantail
assembly
while
sliding
round
on
curb
as
it
rotates
in
the
wind.
One
of
the
really
important
maintenance
jobs
essential
to
the
smooth
running of the mill is thickly greasing this load-bearing surface.
To be continued…